Type | List | Author ![Hide Author field](http://homepages.bw.edu/bachbib/images/x.gif) | Title [further info![Display full bibliographical information](http://homepages.bw.edu/bachbib/images/expand.gif) ] | Series![Reorder serially](http://homepages.bw.edu/bachbib/images/sort.gif) | Vol | No | Year | Pages | Status |
| 1. | Wolff, Christoph | Dietrich Buxtehude and seventeenth-century music in retrospect. |
[ce]ChurchStageStudio |
| | 1990 |
3-20 |
|
| 2. | Panetta, Vincent J., Jr. | Praetorius, Compenius, and Werckmeister: A tale of two treatises. |
[ce]ChurchStageStudio |
| | 1990 |
67-85 |
|
| 3. | Leaver, Robin A. | Lutheran Vespers as a context for music. |
[ce]ChurchStageStudio |
| | 1990 |
143-161 |
|
| 4. | Hill, Robert | Tablature versus Staff Notation: Or, Why Did the Young J. S. Bach Compose in Tablature? |
[ce]ChurchStageStudio |
| | 1990 |
349-359 |
|
| 5. | Walker, Paul (ed.) | Church, Stage, and Studio: Music and Its Contexts in Seventeenth-Century Germany. |
[ce]ChurchStageStudio |
| | 1990 |
396p |
|